Showing posts with label Klaus Voorman. Show all posts
Showing posts with label Klaus Voorman. Show all posts

Thursday, May 7, 2009

John Lennon/Plastic Ono Band: The Album

The most important of several Beatles facts for John Lennon/Plastic Ono Band is that it was the debut solo album for Lennon (discounting three experimental albums with wife Yoko Ono) and is considered to be one of Lennon's best efforts in his solo career. Rolling Stone ranked it # 22 on its list of all-time greatest albums. The album was recorded at the same time as Yoko's Yoko Ono/Plastic Ono Band, which featured her avant garde style. The band backing Lennon was dubbed "plastic" because of various musicians called upon by Lennon and Ono since 1969 for solo work--a "conceptual band," as it was termed--as compared to the four permanent members of the Beatles.

The album is generally regarded as an outgrowth of the primal scream therapy Lennon undertook with Arthur Janov, producing cathartic feelings expressed in the LP's tracks. One example is "God," in which Lennon sings that he only believes in himself as opposed to any deity or authority/celebrity figure (Beatles, Elvis, etc.). The album was produced by Phil Spector (with production credits also assigned to Lennon and Ono) and recorded at Abbey Road Studios and Ascot Sound Studios from September 26, 1970 to October 23, 1970. It was released on December 11, 1970 on the Apple label, and was well received by critics in both the United States and Great Britain.

Musicians working on the album included Klaus Voorman (bass), Ringo Starr (drums), Alan White (percussion), Billy Preston (piano), and Phil Spector (piano). Lennon handled vocals and played guitar, piano, and electric keyboard.

Tracks include:

Mother
Hold On
I Found Out
Working Class hero
Isolation
Remember
Love
Well Well Well
Look at Me
God
My Mummy's Dead

With impetus from Yoko Ono, the album was remixed and re-issued for CD format in 2000 with two bonus tracks: "Power to the People" and "Do the Oz."

The artwork for the album was a shot of Lennon and Ono leaning against a tree. The photo was taken with an ordinary Instamatic camera.

The guitar work by Lennon on "Look at Me" is similar to that on "Julia" and "Dear Prudence" and was taught to Lennon, according to most sources, by Donovan when the two musicians were in Rishikesh, India in 1968.

For more information on Beatles albums (group and solo), go to Beatles Albums: Background and History or see the Sitemap below.

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Saturday, April 11, 2009

Within You Without You

This George Harrison composition from Sgt. Pepper's Lonely Hearts Club Band has many interesting Beatles facts. It was recorded on March 15, 1967 at Abbey Road Studios, with overdubs added on March 22 and April 3. Harrison wrote the melody for the song on a harmonium (not his sitar) while visiting the home of Klaus Voorman. The lyrics essentially describe what he and Voorman had been talking about that evening, and hence the first line of the song.

Harrison stated in many interviews that he didn't believe the other three band members were very interested in the track, although John Lennon said in his 1980 Playboy interview that he believed it was one George's best songs because of its clarity of purpose and a solid performance by Harrison.

A carpet was put on the floor of the studios, with flowers and incense added, to create the ambiance necessary for the Indian studio musicians. George Martin scored violins and cellos to mesh with the Indian instruments: dilruba (an Indian violin); tabla (Indian percussion); and swordmandel (similar to a zither).

Harrison said that he was especially fond of the 5/4 time of the interlude and the other distinctive cadences he borrowed from Indian music for the track.

The laughter at the end of the track was Harrison's idea because he believed the song was "too heavy" and wanted to lighten the atmosphere in order to segue into the next song. There was some disagreement on adding the laughter from the other Beatles.

Harrison sang lead vocal. Harrison and Neil Aspinall played the tamboura. Session musicians played all other instruments. No other Beatle aided in the recording of the song.

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Monday, January 26, 2009

Beatles News: A Tribute to George Harrison by Cat Stevens and Klaus Voorman

A confirmed Beatles fact is that Yusef (aka Cat Stevens) and Klaus Voorman have issued a rendition of George Harrison's "The Day the World Gets 'Round," a song from Harrison's 1973 album Living in the Material World. The artistic cover for the issue was designed by Voorman, who designed the Revolver cover. Voorman, sometimes referred to as the fifth Beatle, also plays bass on the record. Stevens feels that the song captures Harrison's great love and happiness. The song may be downloaded from Yusef's website.

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